Photography: Kapture Studio @studiokapture
Talent: Alexa Garcia @alexagarciaardila @InformaModels
Styling: María José Salazar @mariajose_salazarbl
Hair and Makeup: Angie Almah @angiealmah
PR: Davis NYCFE @davisnycfe
In a kinetic haze of soft light and sharp intention, the boundaries of the silhouette begin to dissolve, revealing a fashion landscape where movement is the ultimate accessory. The atmosphere is charged with a quiet electricity, a space where the stillness of a pose wars with the frenetic energy of the modern woman. It is here that the body becomes a vessel for expression, caught in a shutter-drag dream state that feels both fleeting and eternal. The imagery moves beyond the static, embracing the beauty of the blur, a visual echo of a world that refuses to stand still.
Stylist María José Salazar orchestrates a masterclass in textural tension, curating a wardrobe that balances architectural severity with fluid sensuality. The collection is a high-wire act of design, featuring the sculptural precision of Alaïa and the daring, skin-baring cuts of Monot, which interact seamlessly with the avant-garde spirit of Coperni. There is a palpable dialogue between the heavy and the ethereal; the grounded, tactile luxury of Andrea Landa’s leatherwork provides a stark, beautiful contrast to the delicate, sheer overlays and the intellectual romanticism found in pieces by Dries Van Noten and Faride.
At the center of this storm stands muse Alexa Garcia, who commands the frame with a gaze that pierces through the distortion. She is an anchor in the wash of white and blue, her presence amplified by the work of beauty artist Angie Almah. Almah constructs a look that celebrates raw, natural power. Garcia’s hair is sculpted into a magnificent, gravity-defying halo that catches the light with every turn, while her skin is left luminous and fresh, allowing the clothes and the attitude to speak without competition.
Captured through the lens of Kapture Studio, the editorial transcends traditional portraiture to become a study in frequency and form. The photography captures not just the garment, but the ghost of the movement it leaves behind the swish of a skirt, the vibration of a fringe glove, the sudden turn of a shoulder. It is a testament to the symbiotic rhythm of a team working in perfect unison, resulting in a series of images that feel less like photographs and more like captured memories of a night that never ends.